These are pictures of Sarah Kirsch and Maddy Hildebrand in Italy, pre and post concert! They are there for a three-week residency at Italy’s Casalmaggiore International Music Festival from July 7th to 27th 2014 that Sarah had received as a result of being this year’s Eckhardt Gramatté winner!
“I feel like there’s been this pressure building in this bottle and the cork has popped — I’m surfing on some crazy wave — and I don’t want to get off,” Kirsch says.
One of Sarah Kirsch’s grandest tattoos is that of a large tree with proud branches stretching outwards towards her arms while roots dig deep down her lower back. It’s an apt metaphor for her flourishing musical career, as well as her adopted hometown, where the 30-year-old singer discovered her own artistic voice.
“It’s there to remind me that I can grow roots wherever I choose,” the Cranbrook, B.C.-born musician says over coffee at an Exchange District café. “I hadn’t had a home base for so long until I came to Winnipeg. When I arrived here it meant that I could finally become the human being that I wanted to be.”
Kirsch took top prize at the 37th Eckhardt-Gramatté National Music Competition held at Brandon University in May 2014.
It also meant Kirsch could nurture her own creative vision to become one of the city’s most exciting, wholly authentic singers. And her bold performances of contemporary art songs are getting her increasingly noticed both locally and nationally with that all-important momentum that seems to know no bounds.
Her most recent accomplishments include winning second prize in the 2014 Women’s Musical Club of Winnipeg’s – WMC McLellan Competition this past April. She was also featured during the Winnipeg Symphony Orchestra’s 2014 New Music Festival, Cluster New Music + Integrated Arts Festival, and in the Groundswell and Canzona music series.
The versatile soprano next appears at the WSO’s Music at the Millennium noon-hour series on July 1 when she will perform music by Schubert, Barber, Debussy, John Greer and Joni Mitchell with accompanist Chris Kayler.
One of her growing legions of fans is WSO artistic operations associate James Manishen, who first heard Kirsch sing during the 2012 WMC McLellan Competition while he served as a jury member.
“Sarah is a born communicator in addition to being a brilliant soprano soloist,” he states. “Her ability to get under the skin of everything she sings and make it alive for the listener is remarkable. You hear many voices when Sarah takes on vocal roles, and you come away excited and elevated from the experience.”
The biggest feather in her musical cap, so far, is taking top prize at the Eckhardt-Gramatté National Music Competition held in Brandon in May. Her significant prize package includes a three-week residency at Italy’s Casalmaggiore International Music Festival from July 7-27, as well as a four-week Canadian tour in November and a cash prize of $15,000.
“We were in complete disbelief,” Kirsch says of the shock of hearing her name called with Kayler’s as the grand prize winner following two gruelling performance rounds. “Being able to tour and do what I love is surreal. It’s been very emotional for me.”
A self-professed “gypsy,” the Calgary-raised singer first arrived here in 2008 with her then-partner after completing a music degree at the University of Colorado in 2005. Filled with intense self-doubt, and disillusioned about fitting into cookie-cutter classical modes, the rugged individualist cold-called University of Manitoba music professor Mel Braun for advice.
Braun immediately saw a diamond in the rough. He encouraged her to apply to the University of Manitoba’s Desautels Faculty of Music, where she began her ongoing studies with him, later graduating with a master’s degree in vocal performance in 2012. Kirsch credits the popular vocal coach with saving her musical life, and helping her rediscover her voice.
“Mel let me believe I could be whatever singer that I needed to be,” she says through tears. “He changed my trajectory and he changed my life.”
The relationship between teacher and student is often profound. Braun likewise sings praises for his protégé, calling her a “fearless musical adventurer.”
“It’s been a real pleasure to see Sarah grow into the deeply centred performer and communicator she is today,” he says. “When she sings, she seems to speak for the composers. She also has a huge heart and an infectious joy which always lights up her audiences.”
Braun is also keenly aware of the many doors that will open during her fall tour with stops including Toronto, Calgary, Kingston, Brandon and Winnipeg, among others.
“My hope is that national exposure not only brings her many other performing opportunities, but that it also helps her to continue building on the network of composers and collaborators that could sustain her career for a long time,” he says.
“In the meantime, she and her audiences are going to have a blast!”
As Kirsch is poised to take on the world one note at a time — including premièring Michael Matthews’ Solò queda el desert with L’Orchestre de Chambre de Montréal and performing Mozart’s Great Mass in C Minor at the American University of Beirut next season — she clearly knows she cuts a striking figure.
One can’t help but notice her newly dyed lavender cropped hair, or the large, scary-looking skull emblazoned on her chest. The latter pays tribute to a late Canadian poet/family friend she calls Manny, who displayed the same image and played a key role in Kirsch’s life by encouraging her to blaze her own artistic path.
“I’m not trying to shock people, these are just reminders to fortify my identity and clarity of vision,” Kirsch says of her colourful body art that might raise eyebrows in certain circles.
When asked about future dreams, the passionate artist doesn’t miss a beat. “I want to be a limitless singer,” she says, adding that she plans to remain in the city for the near future. “I want to challenge people to think things that they wouldn’t normally think. I want to introduce people to new ideas, or help them resonate with old ideas. I want to make people feel something.”
Republished from the Winnipeg Free Press print edition June 25, 2014
Third Place: Soprano Alexandra Smither with pianist Pierre-André Doucet
City of Brandon Prize (for the best performance of the commissioned work) : Mezzo-Soprano Catherine Anne Daniel with pianist Shannon Hiebert.
Congratulations to Winnipeg violinist Joshua Peters. The San Francisco Conservatory of Music student won first place in last night’s WMC McLellan Competition. He takes home a cheque for $10,000. In second place was Winnipeg soprano Sarah Kirsch, taking home $6,000 and in third place was pianist Tony Zhou. Presently a student at Indiana University’s Jacob’s School of Music, Tony takes home $4,000. It was a fantastic evening of jaw dropping talent accompanied by the always wonderful Winnipeg Symphony Orchestra under the baton of Julian Pellicano.
The three finalists appeared with the WSO in the Final Competition Concert on Friday, April 4th, 2014 and each gave a fabulous solo performace! Congratulations to each of them!
Left to Right : Kathryn Young, WMC President, Carol Gamby WMC MCLellan Competition Chair, 3rd place Winner – Tony Zhou, 1st place Winner – Joshua Peters, 2nd place Winner – Sarah Kirsch, Adjudicators – John Greer, James Manishen, Jasper Wood, and Jury Chair – Holly Harris.
Each November the Women’s Musical Club of Winnipeg hosts the winner of the Eckhardt-Gramatté National Music Competition (also known as the E-Gré Competition). So we are excited to hear their announcement of the eight semi-finalists from the 2014 voice competition.
They are: Catherine Anne Daniel, Edmonton, AB; Dorothea Hayley, Vancouver, BC (from Ottawa, ON); Camille Hesketh, the Netherlands (from Vancouver, BC); Sarah Kirsch, Winnipeg, MB (Cranbrook, BC); Andréanne Paquin, Montréal, QC; Brittany Rae, Toronto, ON (from Calgary, AB); Alexandra Smither, Toronto, ON (from London, ON); Stephanie Tritchew, Toronto, ON (from St. Catherines, ON).
As they shared in their article, “This year the competition is open to Canadian vocalists between the ages of 18 and 35. Held annually at the Brandon University School of Music on the first weekend in May, it alternates between Voice (2014), Strings (2015), and Piano (2016).” You can read the entirety of the article on their Facebook Page.
We greatly anticipate hosting one of these amazing female vocalists in our concert series this November.
The Women’s Musical Club of Winnipeg announces that twelve young musicians performed before an international jury on March 14th and three were selected as finalists in the 2014 WMC McLellan Competition for Solo Performance with Orchestra.
They are (in alphabetical order):
Sarah Kirsch, soprano
Joshua Peters, violin
Tony Zhou, piano
In addition, the adjudicators were asked to choose two runners-up and the following were named:
First runner-up: Jinsung Kim, piano
Second runner-up: Alyssa Delbaere-Sawchuk, viola
The three finalists will rehearse with the WSO and then appear with the Orchestra in the Final Competition Concert to be held at Jubilee Place Auditorium, Mennonite Brethren Collegiate Institute, 180 Riverton Avenue, Winnipeg, at 7.30 pm on Friday, April 4th, 2014.
At the conclusion of the concert another set of adjudicators will rank the finalists, and they will receive awards of $10,000, $6,000 and $4,000 respectively. The public is cordially invited to come to this concert to hear some of the best young talent that Manitoba has to offer, and to meet the artists at a punch reception afterwards.
This concert is also another great opportunity to experience our city’s acclaimed Winnipeg Symphony Orchestra in 2014, the year in which they appear at Carnegie Hall in New York! Please support the WSO and the talented finalists at the conclusion of the successful 2014 WMC McLellan Competition.
FINAL COMPETITION CONCERT WITH THE WSO
Followed by the Award Ceremony and Reception
7.30 p.m. Friday, April 4, 2014
Jubilee Place Auditorium, MBCI, 180 Riverton Avenue
Tickets $20 from McNally Robinson (credit cards accepted),
or at the door (cash or cheque only) / Students $5 at the door only
We wanted to share a review of the production that Jessica Strong was in with the Calgary Opera. We thought you might be interested to read the review considering that she is going to perform for the Women’s Musical Club of Winnipeg on April 27th, 2014. There is a section that the reviewer wrote specifically about Jessica which you can find about 2/3 down the page.
A standout in this production was up-and-coming Canadian Jessica Strong as Elvira, a powerful, charismatic soprano whose voice commands attention and is garnering appreciation at home and in the States. I raved about her in Opera Canada when she sang in a student production in Edmonton five years ago. She went on to work with Calgary Opera’s young artists program, and it’s great to see the company give her an opportunity to make a real impression in a main production.
Looking forward to Jessica’s performance at the WAG on the 27th April 2014 at 2 p.m. Plan to be there and share in the excitement!