In the blink of an eye, the lazy summer days come to an end and it’s time for another arts season packed with great music, amazing artists and — as usual for Winnipeg — a cornucopia of concerts from which to pick and choose from. Here are my top 10 choices (listed in chronological order) from now until that white stuff hits the ground:
Your (Irish) roots are showing! Camerata Nova presents Dowland in Dublin, Wednesday, Oct. 8, 7:30 p.m., at Crescent Fort Rouge United Church featuring Montreal-based early music group La Nef, with guest tenor Michael Slatter. This a capella vocal ensemble never ceases to surprise; its latest choral venture transplants Renaissance composer John Dowland’s refined lute songs to a gritty 16th-century Irish pub. Tickets or more information: www.cameratanova.com
The Winnipeg Classical Guitar Society presents the sublime artistry of Grammy-nominated musician Paul Galbraith, Saturday, Oct. 11, 8 p.m., at the Planetarium Auditorium. For tickets, call 204-667-5250, or check out: www.winnipegclassicalguitarsociety.com
The Winnipeg Singers kicks off its 42nd season with Psalm and Song: Choral Music of Jewish Composers on Sunday, Oct. 19, 3 p.m., at Shaarey Zedek Synagogue. The program features the Canadian première of Songs in A Time of War by Winnipeg’s Sid Robinovitch as well as Leonard Bernstein’s Chichester Psalms, among others. Tickets available at McNally Robinson Booksellers, at the door, or by calling 204-944-9100. For more information: www.winnipegsingers.com
The venerable Winnipeg Philharmonic Choir, founded in 1922 and Western Canada’s longest established choir, joins forces with local Icelandic choir Sòlskrkjan Kòr, in Nordic Sagas, Sunday, Oct. 26, 3 p.m., at Westminster United Church. Included as part of the WSO’s weeklong Nordic Festival being held Oct. 24-31, the program showcases special guest soprano Tracy Dahl and tenor/narrator P.J. Buchan performing music from the land of ice and snow. For tickets, call 204-896-7445 or purchase at the door. Details: winnipegphilharmonicchoir.ca/13/
The Manitoba Chamber Orchestra scores again when conductor/violinist Scott Yoo returns to its podium, Tuesday, Oct. 28 at Westminster United Church at 7:30 p.m. The all-string orchestra concert features Sir Hubert Parry’s An English Suite as well as Vivaldi’s The Four Seasons, plus a world première by Winnipeg composer Randolph Peters. For tickets, visit www.themco.ca or purchase at the door.
After spending years on the back (piano) bench performing with popular singer-songwriter Steve Bell, Mike Janzen gets the spotlight in the WSO pops show Reimagining Broadway, which also stars Canadian chanteuse Sarah Slean, Nov. 7-9, at the Centennial Concert Hall. The dynamo jazz pianist/composer/arranger blew the roof off last year with his sneak-peek rendition of Chim Chim Cheree and this show promises more. For ticket information, see: www.wso.ca or call the WSO box office: 204-949-3999.
Virtuosi Concerts adds its own voice to the numerous tributes being made worldwide to mark the solemn centenary of the “war to end all wars” with The Great War: 1914-1918, Saturday, Nov. 8, 8 p.m., and Sunday, Nov. 9, 3 p.m. at the University of Winnipeg’s Eckhardt-Gramatté Hall. The emotional climax of the program promises to be Ravel’s Le tombeau de Couperin, with each of its six movements dedicated to a friend who perished in battle. For tickets: call 204-786-9000 or see www.virtuosi.mb.ca.
The Women’s Musical Club of Winnipeg presents local soprano Sarah Kirsch on Sunday, Nov. 16, 2 p.m., at the Winnipeg Art Gallery. The gifted vocalist recently won top prize at the 37th Eckhardt-Gramatté National Competition with her prize package including a month-long, 10-city Canadian tour that stops here. Tickets available at McNally’s, or at the door. See http://womensmusicalclubofwpg.ca.
Also noteworthy, Manitoba Opera presents the local première of Beethoven’s sole opera, Fidelio, at the Centennial Concert Hall, November 22-28. The epic work, which celebrates courage in the face of tyranny, is one of the many artistic offerings being made this year to commemorate the opening of the Canadian Museum for Human Rights. Watch for Winnipeg-born soprano Lara Secord-Haid, who marks her debut with the 42-year old company as Marcellina. Tickets: www.manitobaopera.mb.ca or call 204-944-8824.
Get into the festive spirit when the WSO presents a community sing-along of Handel’s Messiah, Friday, Dec. 12 (note earlier start time: 7:30 p.m.). Or, for those who prefer to just listen, renowned conductor and founding director of the Tafelmusik Chamber Choir Ivars Taurins leads guest soloists with the Canadian Mennonite University Chorus and orchestra the following night, Saturday, Dec. 13 at 8 p.m. For tickets, see: www.wso.ca or call the WSO box office: 204-949-3999
And there you have it, folks! Enjoy the music and see you in two weeks.
By HOLLY HARRIS
Winnipeg Free Press – September 10,2014
“I feel like there’s been this pressure building in this bottle and the cork has popped — I’m surfing on some crazy wave — and I don’t want to get off,” Kirsch says.
One of Sarah Kirsch’s grandest tattoos is that of a large tree with proud branches stretching outwards towards her arms while roots dig deep down her lower back. It’s an apt metaphor for her flourishing musical career, as well as her adopted hometown, where the 30-year-old singer discovered her own artistic voice.
“It’s there to remind me that I can grow roots wherever I choose,” the Cranbrook, B.C.-born musician says over coffee at an Exchange District café. “I hadn’t had a home base for so long until I came to Winnipeg. When I arrived here it meant that I could finally become the human being that I wanted to be.”
Kirsch took top prize at the 37th Eckhardt-Gramatté National Music Competition held at Brandon University in May 2014.
It also meant Kirsch could nurture her own creative vision to become one of the city’s most exciting, wholly authentic singers. And her bold performances of contemporary art songs are getting her increasingly noticed both locally and nationally with that all-important momentum that seems to know no bounds.
Her most recent accomplishments include winning second prize in the 2014 Women’s Musical Club of Winnipeg’s – WMC McLellan Competition this past April. She was also featured during the Winnipeg Symphony Orchestra’s 2014 New Music Festival, Cluster New Music + Integrated Arts Festival, and in the Groundswell and Canzona music series.
The versatile soprano next appears at the WSO’s Music at the Millennium noon-hour series on July 1 when she will perform music by Schubert, Barber, Debussy, John Greer and Joni Mitchell with accompanist Chris Kayler.
One of her growing legions of fans is WSO artistic operations associate James Manishen, who first heard Kirsch sing during the 2012 WMC McLellan Competition while he served as a jury member.
“Sarah is a born communicator in addition to being a brilliant soprano soloist,” he states. “Her ability to get under the skin of everything she sings and make it alive for the listener is remarkable. You hear many voices when Sarah takes on vocal roles, and you come away excited and elevated from the experience.”
The biggest feather in her musical cap, so far, is taking top prize at the Eckhardt-Gramatté National Music Competition held in Brandon in May. Her significant prize package includes a three-week residency at Italy’s Casalmaggiore International Music Festival from July 7-27, as well as a four-week Canadian tour in November and a cash prize of $15,000.
“We were in complete disbelief,” Kirsch says of the shock of hearing her name called with Kayler’s as the grand prize winner following two gruelling performance rounds. “Being able to tour and do what I love is surreal. It’s been very emotional for me.”
A self-professed “gypsy,” the Calgary-raised singer first arrived here in 2008 with her then-partner after completing a music degree at the University of Colorado in 2005. Filled with intense self-doubt, and disillusioned about fitting into cookie-cutter classical modes, the rugged individualist cold-called University of Manitoba music professor Mel Braun for advice.
Braun immediately saw a diamond in the rough. He encouraged her to apply to the University of Manitoba’s Desautels Faculty of Music, where she began her ongoing studies with him, later graduating with a master’s degree in vocal performance in 2012. Kirsch credits the popular vocal coach with saving her musical life, and helping her rediscover her voice.
“Mel let me believe I could be whatever singer that I needed to be,” she says through tears. “He changed my trajectory and he changed my life.”
The relationship between teacher and student is often profound. Braun likewise sings praises for his protégé, calling her a “fearless musical adventurer.”
“It’s been a real pleasure to see Sarah grow into the deeply centred performer and communicator she is today,” he says. “When she sings, she seems to speak for the composers. She also has a huge heart and an infectious joy which always lights up her audiences.”
Braun is also keenly aware of the many doors that will open during her fall tour with stops including Toronto, Calgary, Kingston, Brandon and Winnipeg, among others.
“My hope is that national exposure not only brings her many other performing opportunities, but that it also helps her to continue building on the network of composers and collaborators that could sustain her career for a long time,” he says.
“In the meantime, she and her audiences are going to have a blast!”
As Kirsch is poised to take on the world one note at a time — including premièring Michael Matthews’ Solò queda el desert with L’Orchestre de Chambre de Montréal and performing Mozart’s Great Mass in C Minor at the American University of Beirut next season — she clearly knows she cuts a striking figure.
One can’t help but notice her newly dyed lavender cropped hair, or the large, scary-looking skull emblazoned on her chest. The latter pays tribute to a late Canadian poet/family friend she calls Manny, who displayed the same image and played a key role in Kirsch’s life by encouraging her to blaze her own artistic path.
“I’m not trying to shock people, these are just reminders to fortify my identity and clarity of vision,” Kirsch says of her colourful body art that might raise eyebrows in certain circles.
When asked about future dreams, the passionate artist doesn’t miss a beat. “I want to be a limitless singer,” she says, adding that she plans to remain in the city for the near future. “I want to challenge people to think things that they wouldn’t normally think. I want to introduce people to new ideas, or help them resonate with old ideas. I want to make people feel something.”
Republished from the Winnipeg Free Press print edition June 25, 2014
Third Place: Soprano Alexandra Smither with pianist Pierre-André Doucet
City of Brandon Prize (for the best performance of the commissioned work) : Mezzo-Soprano Catherine Anne Daniel with pianist Shannon Hiebert.
Congratulations to Winnipeg violinist Joshua Peters. The San Francisco Conservatory of Music student won first place in last night’s WMC McLellan Competition. He takes home a cheque for $10,000. In second place was Winnipeg soprano Sarah Kirsch, taking home $6,000 and in third place was pianist Tony Zhou. Presently a student at Indiana University’s Jacob’s School of Music, Tony takes home $4,000. It was a fantastic evening of jaw dropping talent accompanied by the always wonderful Winnipeg Symphony Orchestra under the baton of Julian Pellicano.
The three finalists appeared with the WSO in the Final Competition Concert on Friday, April 4th, 2014 and each gave a fabulous solo performace! Congratulations to each of them!
Left to Right : Kathryn Young, WMC President, Carol Gamby WMC MCLellan Competition Chair, 3rd place Winner – Tony Zhou, 1st place Winner – Joshua Peters, 2nd place Winner – Sarah Kirsch, Adjudicators – John Greer, James Manishen, Jasper Wood, and Jury Chair – Holly Harris.
Each November the Women’s Musical Club of Winnipeg hosts the winner of the Eckhardt-Gramatté National Music Competition (also known as the E-Gré Competition). So we are excited to hear their announcement of the eight semi-finalists from the 2014 voice competition.
They are: Catherine Anne Daniel, Edmonton, AB; Dorothea Hayley, Vancouver, BC (from Ottawa, ON); Camille Hesketh, the Netherlands (from Vancouver, BC); Sarah Kirsch, Winnipeg, MB (Cranbrook, BC); Andréanne Paquin, Montréal, QC; Brittany Rae, Toronto, ON (from Calgary, AB); Alexandra Smither, Toronto, ON (from London, ON); Stephanie Tritchew, Toronto, ON (from St. Catherines, ON).
As they shared in their article, “This year the competition is open to Canadian vocalists between the ages of 18 and 35. Held annually at the Brandon University School of Music on the first weekend in May, it alternates between Voice (2014), Strings (2015), and Piano (2016).” You can read the entirety of the article on their Facebook Page.
We greatly anticipate hosting one of these amazing female vocalists in our concert series this November.